A man asks himself about the image of women who are offered for his gaze. A documentary about the image of women in fashion, film, and life.

A documentary about the Italian cinema as art form and industry.

As an ambitious group of independent filmmakers set out to shoot a movie about a world overrun by ghoulish mutants following a nuclear holocaust, the special effects artists who created the grisly effects for the feature take viewers behind the scenes to show just how they make the murderous mayhem onscreen appear so nauseatingly realistic. 　　Review: "The golden age of gore films was filled with blood squibs, machetes and intestine pulling. I can't think of a film that better pays homage to those fine days of yesteryear than the film within a film, Splatter Architects of Fear. 1986 brought us many things, but at the height of the slasher genre, no film is more memorable as a forgettable piece of trash than this film here. If you have the means, I highly suggest you seek it out."

As an ambitious group of independent filmmakers set out to shoot a movie about a world overrun by ghoulish mutants following a nuclear holocaust, the special effects artists who created the grisly effects for the feature take viewers behind the scenes to show just how they make the murderous mayhem onscreen appear so nauseatingly realistic. 　　Review: "The golden age of gore films was filled with blood squibs, machetes and intestine pulling. I can't think of a film that better pays homage to those fine days of yesteryear than the film within a film, Splatter Architects of Fear. 1986 brought us many things, but at the height of the slasher genre, no film is more memorable as a forgettable piece of trash than this film here. If you have the means, I highly suggest you seek it out."

Anthology suspense / horror film with the creepy caretaker of a cemetery introducing some of its occupants and how each was murdered. Segments include "Made for Each Other," "Art Lover," "Whodunit to Whom" and "Avid Readers."

A journalist knows more about a grizzly murder than is good for her. All her evidence points toward a mysterious millionaire but no one will believe her.

This film illustrates Debussy's works "En bateau", "Arabesques", "Reflets dans l'eau" and "Arabesques en sol". As a visual counterpoint to the music it shows playful reflections, transparencies, and iridescence of water.

In ‘Images de Tunisie’, Younes Ben Slimane returns to the locations where an archive film of the same name was originally shot by French colonialists in 1940s Tunisia. A minimal approach that Slimane – who is also trained as an architect – uses as a counter-narrative, dissolving the historical markers between past and present with his tactile images. The archive material, originally created for propaganda purposes, is intercut with Slimane’s own footage from the same sites of traditional architecture in Berber villages in southern Tunisia.